TIME FOR TEA
A British Council exhibition.
This exhibition was commissioned by Cultura Inglesa in Rio de Janeiro and featured 80 teapots from the British Council collection, made by British potters from the 1930s to the present day. The exhibition explored various methods of fabrication from the hand-crafted to the machine-made and small production ware; the diversity of styles and methods employed in making teapots reflected the varying approaches of British potters and designers to their crafts. Included in the exhibition were works from key potteries such at the Leach Pottery in St Ives, and work by three generations of the Cardew family. A specially commissioned reproduction of the famous giant teapot (capacity 6¼ gallons) first made by Michael Cardew, a former student of Bernard Leach, and shown at the Metropolitan Museum of Art in New York in 1942 was included as were production ware pieces y Susie Cooper and Clarice Cliff. Other works of note were hand-built pots by Jill Crowley an d Kate Malone, two stoneware iron glaze pots by Geoffrey Whiting an a porcelain teapot by one his student, Edmund de Waal. There was also factory produced tableware by Wedgwood and Cornish ware, as well as many other whimsical and unique works by artist-potters and ceramicists. A catalogue with a foreword by Andrea Rose and entries by Diana Eccles was published in three language versions to accompany the tour. ISBN 0 86355 359 1 (English) ISBN 0 86355 361 3 (Portuguese) ISBN 0 86355 362 1 (Spanish)
Collection Artist(s)
- Richard Batterham
- Svend Bayer
- Deborah Bell
- Clive Bowen
- Emma Bridgewater
- Sandy Brown
- Jan Bunyan
- Ara Cardew
- Michael Cardew
- Seth Cardew
- Daphne Carnegy
- Ceracraft
- Clarice Cliff
- Susie Cooper
- Jill Crowley
- Dartington Pottery
- Edmund de Waal
- Victoria & Michael Eden
- Empire
- Mary Fellows
- Ray Finch
- Liz Gale
- George Clews & Co Ltd
- Jane Hamlyn
- Nicholas Homoky
- Robert Jefferson
- Walter Keeler
- Nigel Lambert
- David Leach
- John Leach
- Kate Malone
- John Maltby
- West Marshall
- William Marshall
- Martin Hunt (Queensbury Hunt For Hornsea Pottery)
- Carol McNicoll
- Peter Meanley
- Roger Michell
- Sarah Monk
- Moorland Pottery
- Nick Munro
- Philomena Pretsell
- Stephen Price
- Price & Kensington Potteries
- Queensberry Hunt ( David, Marquess Of Queensberry and Martin Hunt)
- Colin Saunders
- Enid Seeney
- Daniel Smith
- Chris Speyer
- Julian Stair
- T G Green & Co Ltd
- Jessie Tait
- Tchalenko, Janice (With Spitting Image Workshop)
- Anthony Theakston
- Rob Turner
- Wade & Sadlers Ltd
- Wade, Heath & Co Ltd (Wades)
- Josiah Wedgwood & Sons
- Geoffrey Whiting
- Karen Wood
- Takeshi Yasuda
- Andrew & Joanna Young
- Mary Rose Young
Glossary
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Glaze
Vitreous coatings applied to pottery to make objects watertight and as a form of decoration. Also a glaze can be a thin, translucent or transparent coating applied to the surface of a painting to modify the colour tones. Glazes may also be applied on top of one another as a means of creating a sense of depth and translucency.
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Porcelain
One of the three major types of pottery, the others being stoneware and earthenware. Porcelain is fired in the region of 1300ºC to produce a white vitrified and translucent body.
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Stoneware
One of the three major types of pottery, the others being earthenware and porcelain. A buff, gray or brown clay is mixed with other clays and ceramic materials to make a heavy, opaque, highly plastic clay body that is fired at a high temperature - above 1200ºC. It is in between earthenware and porcelain in its character. The term stoneware also refers to the clay body and objects made from it.