Patrick Heron (1920 – 1999)
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KITCHEN AT NIGHT : 1950 1950 Patrick Heron (1920 – 1999) P171 © The Estate of Patrick Heron. All rights reserved, DACS 2023.
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VERY COMPLICATED REDS WITH EMERALD AND ORANGE : 1971 - 1973 1971/73 Patrick Heron (1920 – 1999) P3112 © The Estate of Patrick Heron. All rights reserved, DACS 2023.
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WINCHESTER FOUR : MAY 1967 : II 1967 Patrick Heron (1920 – 1999) P1514 © The Estate of Patrick Heron. All rights reserved, DACS 2023.
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JANUARY 1973 : 6 1973 Patrick Heron (1920 – 1999) P4414 © The Estate of Patrick Heron. All rights reserved, DACS 2023.
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RED, SCARLET, CERULEUN AND DULL GREEN : 1971 - FEBRUARY 1975 1971-75 Patrick Heron (1920 – 1999) P2328 © The Estate of Patrick Heron. All rights reserved, DACS 2023.
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VERSION OF T S ELIOT : 1949 1949 Patrick Heron (1920 – 1999) P3031 © The Estate of Patrick Heron. All rights reserved, DACS 2023.
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INTERIOR II 1949 Patrick Heron (1920 – 1999) P3032 © The Estate of Patrick Heron. All rights reserved, DACS 2023.
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TWO PINK DISCS IN DARK REDS : April 1970 1971 Patrick Heron (1920 – 1999) P1511 © The Estate of Patrick Heron. All rights reserved, DACS 2023.
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BLUES DOVETAILED IN YELLOW : April 1970 1970 Patrick Heron (1920 – 1999) P1513 © The Estate of Patrick Heron. All rights reserved, DACS 2023.
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OCTOBER 5 : 1982 1982 Patrick Heron (1920 – 1999) P4255 © The Estate of Patrick Heron. All rights reserved, DACS 2023.
Patrick Heron was born in Leeds and studied part time at the Slade School of Fine Art in London. Heron began to paint completely abstract works in the mid 1950s coinciding, more or less, with his permanent move from London to Cornwall and the first exhibition in Britain of American Expressionist painting shown at the Tate Gallery, London in 1956. Until then his work had been of interiors, figures and views through his studio window, inspired by Braque’s use of space an from but using a much brighter palette more in keeping with the interiors of Matisse.
Out of Print: British Printmaking 1946 - 1976, The British Council 1994
http://www.theguardian.com/news/1999/mar/22/guardianobituaries.michaelmcnay