ARTISTS' CHOICE
An exhibition of a limited edition portolfio of 48 copies each containing 48 prints including work by Eduardo Paolozzi, Tim Mara, Bert Irvin, Norman Ackroyd, Paula Rego, Terry Frost, Derek Boshier, Richard Wentworth, Chris Orr, published by the Royal College of Art. The exhibition originated in 1989 and continued touring util the mid 1990s.
Collection Artist(s)
- Norman Ackroyd
- Richard Allen
- Susie Allen
- Gillian Ayres
- John Bellany
- Adrian Berg
- Andre Bicat
- Quentin Blake
- Sir Peter Blake
- Stephen Buckley
- Clive Burton
- Sir Anthony Caro
- Cecil Collins
- Bill Culbert
- Anthony Davies
- Robyn Denny
- Alfred Dunn
- Jeffery Edwards
- Brian Fielding
- Elizabeth Frink
- Sir Terry Frost
- John Golding
- Alistair Grant
- Michael Heindorff
- Patrick Heron
- John Hewitt
- John Hoyland
- Albert Irvin
- Bill Jacklin
- Allen Jones
- Ken Kiff
- Tim Mara
- Chris Orr
- Sir Eduardo Paolozzi
- Chris Plowman
- Patrick Procktor
- Paula Rego
- Zandra Rhodes
- Leonard Rosoman
- Ruskin Spear
- Andrew Stahl
- Tricia Stainton
- Joe Tilson
- David Tindle
- Julian Trevelyan
- Michael Vaughan
- Carel Weight
- Richard Wentworth
Glossary
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Edition
All copies of a book, print, portfolio, sculpture, etc., issued or produced at one time or from a single set of type. Printed works can be made in an edition of between one and many thousands of copies. With most printing techniques the plate or screen will become worn if very many prints are made, so to maintain quality (and exclusivity) editions of original prints are usually kept below one hundred copies and normally average between thirty and fifty copies. Prints made up of several different plates can be extremely complicated and time-consuming to edition, so in these cases editions are kept low for practical reasons. Sculptural editions are a set of cast sculptures taken from the same mould or master. These editions are usually much lower, consisting of no more than six casts. Though each cast in an edition might have a lower value than a unique piece, it may be a more effective way of offsetting costs of an expensive process such as bronze casting.