Frances Hodgkins (1869 – 1947)
-
PRIMULAS 1940 Frances Hodgkins (1869 – 1947) P2750 © The Artist's Estate
-
SPANISH POTTERY 1939 Frances Hodgkins (1869 – 1947) P109 © The Artist's Estate
-
FISH 1931 Frances Hodgkins (1869 – 1947) P2564 © The Artist's Estate
-
STILL LIFE, FISH AND SHELLS 1933 Frances Hodgkins (1869 – 1947) P131 © The Artist's Estate
-
DRAWING WITH LANDSCAPE 1932 Frances Hodgkins (1869 – 1947) P21 © The Artist's Estate
-
HOUSES AND OUTHOUSES, PURBECK 1938 Frances Hodgkins (1869 – 1947) P75 © The Artist's Estate
-
ARRANGEMENT OF JUGS 1938 Frances Hodgkins (1869 – 1947) P2459 © The Artist's Estate
-
YOUTH (LA JEUNESSE) 1934/35 Frances Hodgkins (1869 – 1947) P2749 © The Artist's Estate
Frances Hodgkins was born in Dunedin, New Zealand, and studied at the local art school. Between 1901, when she left New Zealand for England, and the outbreak of war in 1914, she became a frequent traveller in Europe. Much of her work at this time was what she freely called 'experimental'. It was not until the 1930s, when she was in her sixties and had settled permanently in England that she came into her own. Then she began to produce a series of bold and lyrical watercolours - mostly still lifes and landscapes - that earned her the reputation of one of the most remarkable women painters of her day. The supple handling of forms and liquid manipulation of the brush are characteristic of her graceful, spontaneous touch, done with an almost Chinese fluidity and confidence. She had always lived on the edge financially and in 1942 was awarded a small civil pension and was able to live without the sake of her paintings. She wrote at the time "One of my theories is that a good painting will out like MURDER. This faith has kept me from despair".
Further reading:
Myfanwy Evans, Frances Hodgkins, Penguin Books, London 1948
E H McCormick, Portrait of Frances Hodgkins, Auckland University Press & Oxford University Press, 1981
Glossary
-
Painting
Work of art made with paint on a surface. Often the surface, also called a support, is a tightly stretched piece of canvas, paper or a wooden panel. Painting involves a wide range of techniques and materials, along with the artist's intellectual concerns effecting the content of a work.