BLACK COUNTRY 1919
Edward Wadsworth (1889 – 1949)
Details
- Dimension
- 33 X 50 CM
- Media
- INK ON PAPER
- Accession number
- P187
Summary
Wadsworth (1889–1949) was born in Cleckheaton, Yorkshire, the son of a prosperous mill owner. He studied engineering before taking up a place at the Slade. For a time he was associated with the Vorticists, an avant-garde group who sought to reflect the mechanical and industrial advances of the early 20th century in their art. Wadsworth would have seen the landscape of the Black Country from the train as he travelled from London to Liverpool where he was engaged in painting dazzle camouflage on ships. The man-made landscape created by the slag heaps from coal and steel production, dotted with winding wheels, smoking furnaces and freight trains, held a particular beauty for the artist, combining his background with his artistic beliefs.
My Yard, British Council 2009
Glossary
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Landscape
Landscape is one of the principle genres of Western art. In early paintings the landscape was a backdrop for the composition, but in the late 17th Century the appreciation of nature for its own sake began with the French and Dutch painters (from whom the term derived). Their treatment of the landscape differed: the French tried to evoke the classical landscape of ancient Greece and Rome in a highly stylised and artificial manner; the Dutch tried to paint the surrounding fields, woods and plains in a more realistic way. As a genre, landscape grew increasing popular, and by the 19th Century had moved away from a classical rendition to a more realistic view of the natural world. Two of the greatest British landscape artists of that time were John Constable and JMW Turner, whose works can be seen in the Tate collection (www.tate.org.uk). There can be no doubt that the evolution of landscape painting played a decisive role in the development of Modernism, culminating in the work of the Impressionists and Post-Impressionists . Since then its demise has often been predicted and with the rise of abstraction, landscape painting was thought to have degenerated into an amateur pursuit. However, landscape persisted in some form into high abstraction, and has been a recurrent a theme in most of the significant tendencies of the 20th Century. Now manifest in many media, landscape no longer addresses solely the depiction of topography, but encompasses issues of social, environmental and political concern.
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Painting
Work of art made with paint on a surface. Often the surface, also called a support, is a tightly stretched piece of canvas, paper or a wooden panel. Painting involves a wide range of techniques and materials, along with the artist's intellectual concerns effecting the content of a work.