PICASSO AND MODERN BRITISH ART
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GREEN TREE FORM 1940 Graham Sutherland (1903 – 1980) P177 © The Artist's Estate
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'DISCORD MERELY MAGNIFIES' FROM THE BLUE GUITAR (PORTFOLIO OF TWENTY PRINTS) 1976-77 1977 David Hockney (1937 – ) P4034 © David Hockney
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'WHAT IS THIS PICASSO?' FROM THE BLUE GUITAR (PORTFOLIO OF TWENTY PRINTS) 1976-77 1977 David Hockney (1937 – ) P4047 © David Hockney
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'THE OLD GUITARIST' FROM THE BLUE GUITAR (PORTFOLIO OF TWENTY PRINTS) 1976-77 1977 David Hockney (1937 – ) P4029 © David Hockney
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'A PICTURE OF OURSELVES' FROM THE BLUE GUITAR (PORTFOLIO OF TWENTY PRINTS) 1976-77 1977 David Hockney (1937 – ) P4039 © David Hockney
Picasso remains the twentieth century’s single most important artistic figure, a towering genius who changed the face of modern art.
In a major new exhibition at Tate Britain, Picasso and Modern British Art explores his extensive legacy and influence on British art, how this played a role in the acceptance of modern art in Britain, alongside the fascinating story of Picasso’s lifelong connections to and affection for this country.
It brings together over 150 spectacular artworks, with over 60 stunning Picassos including sublime paintings from the most remarkable moments in his career, such as Weeping Woman 1937 and The Three Dancers 1925.
It offers the rare opportunity to see these celebrated artworks alongside seven of Picasso’s most brilliant British admirers, exploring the huge impact he had on their art: Duncan Grant, Wyndham Lewis, Ben Nicholson, Henry Moore, Francis Bacon, Graham Sutherland and David Hockney.
Picasso and Modern British Art is the first exhibition to trace Picasso’s rise in Britain as a figure of both controversy and celebrity. From his London visit in 1919, working on the scenery and costumes for Diaghilev’s ballet The Three Cornered Hat; to his post-war reputation and political appearances; leading up to the phenomenally successful 1960 Tate exhibition.
