HENRY MOORE SCULPTURE, DRAWINGS AND GRAPHICS 1921-1981
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THREE STUDIES OF RECLINING NUDES 1930 Henry Moore (1898 – 1986) P69/A © The Henry Moore Foundation. All Rights Reserved
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COMPOSITION 1933 Henry Moore (1898 – 1986) P49 © The Henry Moore Foundation. All Rights Reserved
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THREE STUDIES OF RECLINING NUDES 1930 Henry Moore (1898 – 1986) P69/C © The Henry Moore Foundation. All Rights Reserved
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MOTHER AND CHILD ON A SOFA 1946 Henry Moore (1898 – 1986) P121 © The Henry Moore Foundation. All Rights Reserved
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MADONNA AND CHILD 1943 Henry Moore (1898 – 1986) P115 © The Henry Moore Foundation. All Rights Reserved
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RECLINING FIGURE 1939 Henry Moore (1898 – 1986) P28 © The Henry Moore Foundation. All Rights Reserved
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HALF FIGURE NO. 1 1929 Henry Moore (1898 – 1986) P47 © The Henry Moore Foundation. All Rights Reserved
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THREE STUDIES OF RECLINING NUDES 1930 Henry Moore (1898 – 1986) P69/B © The Henry Moore Foundation. All Rights Reserved
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MOTHER AND CHILD 1936 Henry Moore (1898 – 1986) P48 © The Henry Moore Foundation. All Rights Reserved
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GIRL WITH CLASPED HANDS 1930 Henry Moore (1898 – 1986) P25 © The Henry Moore Foundation. All Rights Reserved
An exhibition of sculpture, drawings and graphics selected by the artist and Ian Barker, with David Mitchinson, Juliet Wilson-Bareau and Javier Tussell.
Separate catalogues were published for each showing: in Madrid with a foreword by Enrique Lafuente Ferrari, an essay by Franco Russoli and comments by the artist. ISBN 84 343 0332 9. A supplementary catalogue (in Spanish) Henry Moore Escultor was specially published for the Madrid venue; in Barcelona with a foreword by Rosa Maria Malet, a note by Ian Barker and David Mitchinson, essays by Alexandre Cirici, and an essay by Franco Russoli and comments by the artist ISBN 84 343 0332 9. A supplementary catalogue (in Catalan) Henry Moore Escultor was also published for the Barcelona venue; in Lisbon (Portuguese only) with an introduction by Leslie Martin and a commentary by the artist. No ISBN numbers
Collection Artist(s)
Glossary
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Sculpture
A three-dimensional work of art. Such works may be carved, modelled, constructed, or cast. Sculptures can also be described as assemblage, in the round, relief, and made in a huge variety of media. Contemporary practice also includes live elements, as in Gilbert & George 'Living Sculpture' as well as broadcast work, radio or sound sculpture.
