This exhibition looks at a moment of radical change in 1956 when Wynter developed a new manner of working which proved highly successful. In this year, Wynter began using a field of abstract marks which heralded a body of works that displayed a new freedom and scale.

www.tate.org.uk/stives

An illustrated leaflet with a text by Chris Stephens was published by Tate St Ives to accompany the exhibition. No ISBN number.

Collection Artist(s)