1975 SAO PAULO BIENAL - CONTEMPORARY BRITISH DRAWINGS 1962-1975
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UNTITLED 1972 Carl Plackman (1943 – 2004) P1728 © The Artist's Estate
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STUDY FOR GARDENS THE GARDEN AT HOW HILL, NORFOLK 1972 Colin Self (1941 – ) P1704 © Colin Self. All rights reserved, DACS 2023.
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RESPECTIVE STUDY IV 1970 Ian Stephenson (1934 – 2000) P1941 © The Artist's Estate
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UNTITLED (ABACUS) 1973 Carl Plackman (1943 – 2004) P1727 © The Artist's Estate
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PROSPECT 5, SPRAY STUDY 1965 Ian Stephenson (1934 – 2000) P1670 © The Artist's Estate
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MARGARET IN FRONT OF DECOR 1972 Colin Self (1941 – ) P1703 © Colin Self. All rights reserved, DACS 2023.
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DRAWING TOWARDS MONUMENT FOR AMERICA I.E. FLAYED MICKEY MOUSE AND MACHINE-GUN IN BRONZE 1971 Michael Sandle (1936 – ) P1734 © The Artist
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Drawing 25/11/71 1971 Jeremy Moon (1934 – 1973) P1720 © Estate of Jeremy Moon
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HOUSE AT BACTON 1972 Colin Self (1941 – ) P1730 © Colin Self. All rights reserved, DACS 2023.
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DRAWING H4 1973 Richard Smith (1931 – 2016) P1729 © The Artist
British Commissioner: Gerald Forty.
Further reading:
Margaret Garlake, Britain and the Sâo Paulo Bienal 1951-1991, The British Council, London 1991 (ISBN 0 86355 199 X)
An exhibition of 90 drawings selected by Professor Norbert Lynton. The exhibition originated in 1975 and continued touring until 1990; it was accompanied by an illustrated catalogue with an essay by Professor Lynton and brief biographical notes on the artists. The exhibition made no attempt to be representative of what was happening at the time, but explored the notion of ‘drawing’: works included fully fledged paintings on paper, developed studies towards specific works in another medium and on another scale, initial graphic investigations as part pf a programme of research that occasionally resulted in a related work, sketches and elaborately worked done for their own sakes.
Collection Artist(s)
Glossary
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Medium
Refers to either the material used to create a work of art, craft or design, i.e. oil, bronze, earthenware, silk; or the technique employed i.e. collage, etching, carving. In painting the medium refers to the binder for the pigment, e.g. oil, egg, acrylic dispersion. The plural form is media.