Charles Shannon (1863 – 1937)
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SHEAF BINDERS Charles Shannon (1863 – 1937) P2575 © copyright The Artist's Estate
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CAPTIVE PEGAUS Charles Shannon (1863 – 1937) P2578 © copyright The Artist's Estate
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INFANCY OF BACCHUS Charles Shannon (1863 – 1937) P2579 © copyright The Artist's Estate
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SEA AND BREEZE Charles Shannon (1863 – 1937) P2410 © The Artist's Estate
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THE LETTER Charles Shannon (1863 – 1937) P2411 © copyright The Artist's Estate
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AUTUMN LEAVES Charles Shannon (1863 – 1937) P2577 © copyright The Artist's Estate
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WINTER Charles Shannon (1863 – 1937) P2576 © copyright The Artist's Estate
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STUDIES OF FIGURES IN MARMITON COSTUME Charles Shannon (1863 – 1937) P2405 © The Artist's Estate
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THE MODELLER Charles Shannon (1863 – 1937) P2585 © The Artist's Estate
Charles Shannon was born in Sleaford, Lincolnshire. He studied at the City and Guilds Technical Art School in Lambeth, London where he met his life-long friend and collaborator Charles Ricketts. In 1898 they moved into Whistler’s former house, The Vale, in Chelsea, which provided the name for their private press. The same year he took up lithography and began exhibiting as a painter; he also achieved some importance as a wood engraver. In all he made some 109 lithographs and was one of the very few lithographers working in England who had their own press at a time when lithography was in danger of being abandoned as an artistic medium. His lithographic work falls into two periods: 1889-97 and 1904-9. Many were based on paintings which showed an influence from the Italian painters of the fifteenth century and the Pre-Raphaelite painters. The works in the British Council collection fall mostly into the latter period, but does include works from Daphnis and Chlöe (1893), the most successful book published by the artist with Charles Ricketts.
Out of the Wood British Woodcuts and Wood Engravings 1890-1945, The British Council 1991
Glossary
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Medium
Refers to either the material used to create a work of art, craft or design, i.e. oil, bronze, earthenware, silk; or the technique employed i.e. collage, etching, carving. In painting the medium refers to the binder for the pigment, e.g. oil, egg, acrylic dispersion. The plural form is media.