LITTLE VERA

© Courtesy the artist and Pippy Houldsworth Gallery, London

LITTLE VERA 1998

Tania Kovats (1966 – )

Details

Dimension
32 X 7.5 X 6.5 CM
Media
PLASTER AND FLOCKING
Accession number
P7332

Summary

The title of this work refers to the war time singer and ‘Forces Sweetheart’ Vera Lynn, whose most popular songs was ‘The White Cliffs of Dover’. Kovats was born in Brighton and knew the cliffs well. In a catalogue note for the exhibition ‘Lost’ at the Ikon Gallery, Birmingham in 2000 she wrote: 'The White Cliffs of Dover are a deeply encoded text inscribed with issues of nationality, history and identity. Dover itself is a bit of a dump, and the cliffs don’t look that white close up. But viewed from the sea they gleam. This is an emotional landscape. Sentimentality is a denigrated emotion, the domain of mothers, fascists and drunks. The White Cliffs of Dover are a coastline of sentimentality'.

 

The first thing seen on returning
The last thing seen on leaving
Romance and longing
Bluebirds”

 

Multiplication, The British Council 2001