HALF A MO 1993
Richard Wentworth (1947 – )
Details
- Dimension
- DIAMETER 45.5 CM
- Media
- STAINLESS STEEL MEASURING JUG AND TAPE
- Accession number
- P6208
Summary
When is an edition a multiple? If I use up an entire roll of film on a single shot, what is one of the 36 resulting pictures? What is it to make more than one print from a single negative? How are they different? Questions of reproduction, identicalness, sameness, distribution, availability and cost vs price are all issues. Half a Mo was a response to a proposal by the Serpentine at the time of my show there in 1993/4. They try to emphasise the popular aspect of their site in the middle of a park and to popularise shows, with prints, photographs, even T-shirts – promotional work. Spotting a small work in my studio it was suggested to make a couple of dozen. The nature of Half a Mo is that no two would be the same, they’d be a family, but once they left the studio one could seldom be compared to another. Compare Picasso’s Glass of Absinthewhere he painted six bronzes all differently. There was however no escaping the repetitious labour involved in making so many of the same things. The noble idea was to set a low price to make it available to those who could only afford a small work of mine… in the event a price was published so disarmingly low that they were all sold in 24 hours and mostly to collectors… The pieces themselves were produced in Berlin where I was living and were not available until a year had passed! There is an object lesson here in the economies of production related to the very real dynamics of retailing and production.
The collision of two systems of measurement in Half a Morenders both impotent – the measuring jug is unable to stand up and the narrative of the tape is searching for a job to do.
ps Is a newspaper a multiple?
Multiplication, The British Council 2001
Glossary
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Edition
All copies of a book, print, portfolio, sculpture, etc., issued or produced at one time or from a single set of type. Printed works can be made in an edition of between one and many thousands of copies. With most printing techniques the plate or screen will become worn if very many prints are made, so to maintain quality (and exclusivity) editions of original prints are usually kept below one hundred copies and normally average between thirty and fifty copies. Prints made up of several different plates can be extremely complicated and time-consuming to edition, so in these cases editions are kept low for practical reasons. Sculptural editions are a set of cast sculptures taken from the same mould or master. These editions are usually much lower, consisting of no more than six casts. Though each cast in an edition might have a lower value than a unique piece, it may be a more effective way of offsetting costs of an expensive process such as bronze casting.
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Film
A transparent, flexible plastic material, usually of cellulose acetate or polyester, on which light-sensitive emulsion is coated, or on which an image can be formed by various transfer processes.
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Negative
An image in which colours and shades of an inage are reversed: the light areas of the object appear dark and the dark areas appear light. Also refers to a film, plate, or other photographic material containing such an image.