Landscape with red, blue and black 2014
Louise Hopkins (1965 – )
Details
- Dimension
- 51.9 x 73.5 cm
- Media
- Digital pigment print
- Accession number
- P8586
Summary
Louise Hopkins (born Hertfordshire, England, 1965) is known for her paintings and drawings made on materials such as furnishing fabric, graph paper, sheet music, magazine and catalogue print and maps. In her work on maps, Hopkins employs pencil, ink and paint to alter boundaries and transform territories and thereby challenge our perceptions of geography and highlight the historical and political forces that shape it.
Unable to travel internationally during 2013, Hopkins instead explored from her studio what it means to experience other countries remotely. She invited a number of the artists participating in Below another sky to send her objects from their home countries or residency destinations and used this material to inform new work on paper and in print. The final prints – both Landscape with Red, Blue and Black and the blind embossed etching Arrangement with Moving Parts – developed in direct response to conditions of real and imagined travel.
‘Landscape with Red, Blue and Black was developed from a pencil and watercolour painting. The composition evolved through the interplay of the red, blue and black forms and their relationships to a hand drawn grid. Once scanned, the artist began a process of duplicating, flipping and mirroring the image to form a much larger gridded structure. Adobe Photoshop was used to further manipulate and modify this structure and ensure the continuity of the grid structure. The artist has produced a print that simultaneously retains the subtlety of the original pencil and watercolour painting and reveals the transformations made to the work within a complex, hybrid structure.’[1]
[1] Alastair Clark, Edinburgh Printmakers.
Glossary
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Etching
An intaglio process whereby a metal plate (normally copper, zinc or steel) is covered with an acid-resistant layer of rosin mixed with wax. With a sharp point, the artist draws through this ground to reveal the plate beneath. The plate is then placed in an acid bath (a water and acid solution) and the acid bites into the metal plate where the drawn lines have exposed it. The waxy ground is cleaned off and the plate is covered in ink and then wiped clean, so that ink is retained only in the etched lines. The plate can then be printed through an etching press. The strength of the etched lines depends on the length of time the plate is left in the acid bath.
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Painting
Work of art made with paint on a surface. Often the surface, also called a support, is a tightly stretched piece of canvas, paper or a wooden panel. Painting involves a wide range of techniques and materials, along with the artist's intellectual concerns effecting the content of a work.
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Watercolour
A paint composed of water-soluble pigment, which has been ground in gum, usually gum Arabic. When made opaque with white, watercolour is generally called gouache. Colours are usually applied and spread with brushes and water, but other tools can also be used. Most watercolour painting is done on paper, but other absorbent grounds can also be employed. The term also denotes a work of art executed in this medium.