British Council Collection
UNTITLED 1987
Adrian Wiszniewski (1958 – )
Details
- Dimension
- 26.5 X 21 CM
- Media
- LINOCUT
- Accession number
- P5586/15
Summary
In 1987 Charles Booth-Clibborn invited Wiszniewski to work on a solo project, the original idea had been to produce a work based on the life of Tristram Tzara and the other Surrealists poets but this was abandoned. Wiszniewski opted to produce a wordless pictorial narrative that told a tale of man finding a strange object in a box and setting out to discover its purpose. He drew directly onto the lino blocks with felt tip pen, completing all the works in a single day. The work is dedicated to his son Max who was born in 1987. The published edition has no text but the artist inscribed one copy with a short narrative and titled the work Lamp-Light and gave it to the Scottish National Gallery of Modern Art (www.natgalscot.ac.uk).
The works were published in 1988 by Charles Booth-Clibborn under his imprint The Paragon Press and printed by Vivien Hendry in an edition of 100.
Further reading:
Contemporary Art in Print, Scottish National Gallery of Modern and The Paragon Press, 1995, texts by Jeremy Lewison, Duncan Macmillan and Patrick Elliott
Glossary
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Edition
All copies of a book, print, portfolio, sculpture, etc., issued or produced at one time or from a single set of type. Printed works can be made in an edition of between one and many thousands of copies. With most printing techniques the plate or screen will become worn if very many prints are made, so to maintain quality (and exclusivity) editions of original prints are usually kept below one hundred copies and normally average between thirty and fifty copies. Prints made up of several different plates can be extremely complicated and time-consuming to edition, so in these cases editions are kept low for practical reasons. Sculptural editions are a set of cast sculptures taken from the same mould or master. These editions are usually much lower, consisting of no more than six casts. Though each cast in an edition might have a lower value than a unique piece, it may be a more effective way of offsetting costs of an expensive process such as bronze casting.
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Imprint
In a bibliographic item, the name of the publisher, distributor, or manufacturer, and the place and date of publication.