The Nursery RhymesThis portfolio derived from drawings Paula Rego made for her granddaughter Carmen for her second birthday. She drew those rhymes that Carmen knew, and these drawings, in ink and wash, were much simpler than the prints. The artist worked directly on the plates, and it is a measure of her draughtmanship that few had to be written off. The printing was undertaken by Paul Coldwell, himself an artist, at the Culford Press. He described the experience as a joy ‘because her images are so strongly drawn. At various points in the making of a print she insists on looking at it from a distance. Most artists work with the print under their noses, and only see at the private view that the image is unreadable at anything over six inches.’ The artist had wanted the prints to be strong and direct and wanted them to work, as she said, ‘biff-bang’.

Nursery rhymes are traditional rhymes passed on to children by adults. The first known book of rhymes was published around 1744. Many have sought to find hidden meanings or references to political satire within the verse but most are simply nonsensical rhymes that delight and amuse small children.

Old King Cole was a merry old soul,
And a merry old soul was he.
He called for his pipe, and he called for his bowl,
And he called for his fiddlers three.

Every fiddler had a fiddle fine,
And a very fine fiddle had he, had he.
Tweedle dum, tweedle dee, went the fiddlers three,
Tweedle dum dee, dum dee deedle dee.

 

Tweedle dum, tweedle dee, went the fiddlers three,
Tweedle dum dee, dum dee deedle dee.

 

Further reading:
Paula Rego Nursery Rhymes, The South Bank Centre, London 1990
T G Rosenthal, Paula Rego The Complete Graphic Work, Thames & Hudson, London 2003
Iona and Peter Opie, The Oxford Dictionary of Nursery Rhymes, Clarendon Press, Oxford 1952