British Council Collection
MOUNTAIN 1995/98
Mariele Neudecker (1965 – )
Details
- Dimension
- 13 X 19 X 27 CM
- Media
- PLASTER, WATERCOLOUR AND FILTERFLOSS
- Accession number
- P6958
Summary
“I was asked by Camden Arts Centre to submit a multiple for their shelf-displays. I looked at postcards and other kinds of reproductions, representations of landscapes and mountains. I have been working with landscape imagery since 1991 – predominantly the landscape being cropped in all its forms of representation is one of the key elements I use for my casts and tank pieces. In Mountainapart from obvious edge-crops, the sky with cloud – which would visually crop the top of the mountain from the lower slopes – is not only cropped visually but physically all the way through.
Multiplication, The British Council 2001
Glossary
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Landscape
Landscape is one of the principle genres of Western art. In early paintings the landscape was a backdrop for the composition, but in the late 17th Century the appreciation of nature for its own sake began with the French and Dutch painters (from whom the term derived). Their treatment of the landscape differed: the French tried to evoke the classical landscape of ancient Greece and Rome in a highly stylised and artificial manner; the Dutch tried to paint the surrounding fields, woods and plains in a more realistic way. As a genre, landscape grew increasing popular, and by the 19th Century had moved away from a classical rendition to a more realistic view of the natural world. Two of the greatest British landscape artists of that time were John Constable and JMW Turner, whose works can be seen in the Tate collection (www.tate.org.uk). There can be no doubt that the evolution of landscape painting played a decisive role in the development of Modernism, culminating in the work of the Impressionists and Post-Impressionists . Since then its demise has often been predicted and with the rise of abstraction, landscape painting was thought to have degenerated into an amateur pursuit. However, landscape persisted in some form into high abstraction, and has been a recurrent a theme in most of the significant tendencies of the 20th Century. Now manifest in many media, landscape no longer addresses solely the depiction of topography, but encompasses issues of social, environmental and political concern.