© Langlands & Bell
GREAT MOSQUE, KAIROUAN, TUNISIA 1996
Langlands & Bell (1955 & 1959 – )
Details
- Dimension
- 76 X 72 CM
- Media
- BLIND EMBOSSED PRINT
- Accession number
- P6688
Summary
The sculptures of Langlands and Bell, usually in relief form, relate to architectural ground plans of buildings, chosen because they are repositories of power or mechanisms of social control. The suite of ten blind print embossed prints was made from drawings derived from the ground plans of mosques. They invite contemplation and comparison of the particular geometry of religious buildings; their definition of social space and moral structure; their emblematic point of focus, and their relationship with both the secular world outside and the infinite beyond.
These prints are based on drawings made on tracing paper which then transferred to zinc plates. Enclosure and Identitywas published in 1996 by Charles Booth-Clibborn under his imprint The Paragon Press and Printed at Hope (Sufferance) Press, London in an edition of 35.
Multiple Choice: Prints by Young British Artists, The British Council 1997
Further reading:
Contemporary Art in Print, Booth Clibborn Editions, London 2001. Texts by Jeremy Lewison and Patrick Elliott, foreword by Charles Booth-Clibborn
Glossary
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Edition
All copies of a book, print, portfolio, sculpture, etc., issued or produced at one time or from a single set of type. Printed works can be made in an edition of between one and many thousands of copies. With most printing techniques the plate or screen will become worn if very many prints are made, so to maintain quality (and exclusivity) editions of original prints are usually kept below one hundred copies and normally average between thirty and fifty copies. Prints made up of several different plates can be extremely complicated and time-consuming to edition, so in these cases editions are kept low for practical reasons. Sculptural editions are a set of cast sculptures taken from the same mould or master. These editions are usually much lower, consisting of no more than six casts. Though each cast in an edition might have a lower value than a unique piece, it may be a more effective way of offsetting costs of an expensive process such as bronze casting.
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Imprint
In a bibliographic item, the name of the publisher, distributor, or manufacturer, and the place and date of publication.
