Noor Afshan (formerly known as Karen Mirza) and Brad Butler's multi-layered practice consists of filmmaking9drawing, installation, photography, performance, publishing and curating. Their work challenges terms such as participation, collaboration, the social turn and the the traditional roles of the artist as producer and the audience as recipient. Since 2009, Mirza and Butler have been developing a body of work entitled 'The Museum of Non Participation'. The artists have repeatedly found themselves embedded in pivotal moments of change, protest, non-alignment and debate. Experiencing such spaces of contestation both directly and through the network of art institutions, Mirza and Butler negotiate these .influences in video, photography, text and action

Glossary

  • Installation

    An artwork comprised of many and various elements of miscellaneous materials (see mixed media), light and sound, which is conceived for and occupies an entire space, gallery or site. The viewer can often enter or walk around the installation. Installations may only exist as long as they are installed, but can be re-created in different sites. Installation art emerged in the 1960s out of Environmental Art (works of art which are three-dimensional environments), but it was not until the 1970s that the term came into common use and not until the late 1980s that artists started to specialise in this kind of work, creating a genre of ‘Installation Art’. The term can also be applied to the arrangement of selected art works in an exhibition.

  • Video

    Images recorded on videotape or on optical disc to be viewed on television screens, or projected onto screens. The medium through which these images are recorded and displayed.