LITTLE VERA 1998
Tania Kovats (1966 – )
Details
- Dimension
- 32 X 7.5 X 6.5 CM
- Media
- PLASTER AND FLOCKING
- Accession number
- P7332
Summary
The title of this work refers to the war time singer and ‘Forces Sweetheart’ Vera Lynn, whose most popular songs was ‘The White Cliffs of Dover’. Kovats was born in Brighton and knew the cliffs well. In a catalogue note for the exhibition ‘Lost’ at the Ikon Gallery, Birmingham in 2000 she wrote: 'The White Cliffs of Dover are a deeply encoded text inscribed with issues of nationality, history and identity. Dover itself is a bit of a dump, and the cliffs don’t look that white close up. But viewed from the sea they gleam. This is an emotional landscape. Sentimentality is a denigrated emotion, the domain of mothers, fascists and drunks. The White Cliffs of Dover are a coastline of sentimentality'.
The first thing seen on returning
The last thing seen on leaving
Romance and longing
Bluebirds”
Multiplication, The British Council 2001
Glossary
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Landscape
Landscape is one of the principle genres of Western art. In early paintings the landscape was a backdrop for the composition, but in the late 17th Century the appreciation of nature for its own sake began with the French and Dutch painters (from whom the term derived). Their treatment of the landscape differed: the French tried to evoke the classical landscape of ancient Greece and Rome in a highly stylised and artificial manner; the Dutch tried to paint the surrounding fields, woods and plains in a more realistic way. As a genre, landscape grew increasing popular, and by the 19th Century had moved away from a classical rendition to a more realistic view of the natural world. Two of the greatest British landscape artists of that time were John Constable and JMW Turner, whose works can be seen in the Tate collection (www.tate.org.uk). There can be no doubt that the evolution of landscape painting played a decisive role in the development of Modernism, culminating in the work of the Impressionists and Post-Impressionists . Since then its demise has often been predicted and with the rise of abstraction, landscape painting was thought to have degenerated into an amateur pursuit. However, landscape persisted in some form into high abstraction, and has been a recurrent a theme in most of the significant tendencies of the 20th Century. Now manifest in many media, landscape no longer addresses solely the depiction of topography, but encompasses issues of social, environmental and political concern.