Casual Highland 1 2014
Sarnath Banerjee (1972 – )
Details
- Dimension
- 35 x 76 cm
- Media
- screenprint
- Accession number
- P8565/1
Summary
Sarnath Banerjee (Born Kolkota, India, 1972) is a visual artist and graphic novelist. To date he has worked primarily in India’s largest and most densely populated cities. In contrast to this experience, Below another sky invited the artist to work in Inverness, Scotland’s newest and smallest city, often referred to as the ‘capital of the Highlands’. Banerjee spent two weeks in Inverness in June 2013 to explore the city and discover the legends, stories and characters known only to those who live there. Working with the Highland Print Studio, he also experimented with both lithography and screen-printing. The artist returned to Inverness in July 2014 to develop a new series of screenprints: ‘Casual Highland’.
Below another sky was the first collaborative programme developed by the Scottish Print Network, a partnership between Dundee Contemporary Arts, Edinburgh Printmakers, Glasgow Print Studio, Highland Print Studio, Inverness and Peacock Visual Arts, Aberdeen. 10 artists from Scotland and 10 from Commonwealth countries were invited to undertake research residencies during 2013 and 2014. Artists from Scotland travelled to Antigua, Baffin Bay, Bangladesh, Canada, India, New Zealand and Zambia; artists from Australia, Canada, India and Pakistan were on residency in Aberdeen, Dundee, Edinburgh, Glasgow and Inverness. Each artist worked with one of the five print studios on the development of ambitious and innovative new work in print, taking full advantage of the excellent range of resources, equipment and expertise available through each organisation.
Below another sky takes its name from the poem ‘Travel’, published in 1865 by the Edinburgh-born author Robert Louis Stevenson.
Glossary
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Contemporary
Existing or coming into being at the same period; of today or of the present. The term that designates art being made today.
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Lithography
Lithography means, literally, stone drawing. In addition to fine grain lithographic stones, metal plates can also be used for lithography. The method relies on the fact that grease repels water. An image is drawn in a greasy medium onto the stone or plate, which is then dampened with water. Greasy printing ink rolled onto that surface will adhere to the design but be repelled by the damp area. The inked image is transferred to the paper via a press. For large editions, the grease is chemically fixed to the stone, and gum arabic, which repels any further grease marks but does not repel water, is applied to the rest of the surface. For colour lithography the artist uses a separate stone or plate for each colour required.