BRITISH ARTISTS PRINTS 1961-1966
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2 (THE 1940S) 1968 Colin Self (1941 – ) P1231 © Colin Self. All rights reserved, DACS 2015.
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I'M DREAMING OF A WHITE CHRISTMAS 1967 Richard Hamilton (1922 – 2011) P1031 © R. Hamilton. All Rights Reserved, DACS 2018.
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SAHARA 1966 Marc Vaux (1932 – ) P1026 © The Artist
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NO.5 ELEPHANT 1968 Colin Self (1941 – ) P1251 © Colin Self. All rights reserved, DACS 2015.
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MY MARILYN 1965 Richard Hamilton (1922 – 2011) P1194 © R. Hamilton. All Rights Reserved, DACS 2018.
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'TWO BOYS AGED 23 OR 24' FROM ILLUSTRATIONS FOR FOURTEEN POEMS FROM C.P. CAVAFY 1966-67 1966 David Hockney (1937 – ) P1180 © David Hockney
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WITTGENSTEIN THE SOLDIER 1965 Sir Eduardo Paolozzi (1924 – 2005) P849 © (c) Trustees of the Paolozzi Foundation, Licensed by DACS 2015.
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CHRISTMAS EVE 1968 Peter Phillips (1939 – ) P1244 © Peter Phillips. All Rights Reserved, DACS 2015
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VI 1966 Peter Sedgley (1930 – ) P1013 © Peter Sedgley
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PORTFOLIO PRINT: UNIQUE CAR 1968 Colin Self (1941 – ) P1252 © Colin Self. All rights reserved, DACS 2015.
An exhibition of 56 prints drawn from the British Council collection. A catalogue, with an introduction by Edward Lucie-Smith, was published in various versions>br> In a bi-lingual edition (English/Greek) by the Zoumboulakis Gallery, Athens. No ISBN
By the National Museum, Malta. No ISBN.
Collection Artist(s)
- Gillian Ayres
- Sir Peter Blake
- Patrick Caulfield
- Bernard Cohen
- Harold Cohen
- Alan Davie
- Robyn Denny
- Alan Green
- Richard Hamilton
- David Hockney
- Howard Hodgkin
- Gordon House
- Paul Huxley
- Tess Jaray
- Allen Jones
- Mark Lancaster
- Henry Moore
- Sir Eduardo Paolozzi
- Victor Pasmore
- Peter Phillips
- Bridget Riley
- Michael Rothenstein
- William Scott
- Peter Sedgley
- Colin Self
- Richard Smith
- Joe Tilson
- William Turnbull
- Marc Vaux
- John Walker
Glossary
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Edition
All copies of a book, print, portfolio, sculpture, etc., issued or produced at one time or from a single set of type. Printed works can be made in an edition of between one and many thousands of copies. With most printing techniques the plate or screen will become worn if very many prints are made, so to maintain quality (and exclusivity) editions of original prints are usually kept below one hundred copies and normally average between thirty and fifty copies. Prints made up of several different plates can be extremely complicated and time-consuming to edition, so in these cases editions are kept low for practical reasons. Sculptural editions are a set of cast sculptures taken from the same mould or master. These editions are usually much lower, consisting of no more than six casts. Though each cast in an edition might have a lower value than a unique piece, it may be a more effective way of offsetting costs of an expensive process such as bronze casting.