THERE WAS A MAN OF DOUBLE DEED

© The Artist

THERE WAS A MAN OF DOUBLE DEED 1989

Paula Rego (1935 – )

Details

Dimension
52 X 38 CM
Media
ETCHING WITH AQUATINT
Accession number
P5799

Summary

The Nursery Rhymesportfolio derived from drawings Paula Rego made for her granddaughter Carmen for her second birthday. She drew those rhymes that Carmen knew, and these drawings, in ink and wash, were much simpler than the prints. The artist worked directly on the plates, and it is a measure of her draughtmanship that few had to be written off. The printing was undertaken by Paul Coldwell, himself an artist, at the Culford Press. He described the experience as a joy ‘because her images are so strongly drawn. At various points in the making of a print she insists on looking at it from a distance. Most artists work with the print under their noses, and only see at the private view that the image is unreadable at anything over six inches.’ The artist had wanted the prints to be strong and direct and wanted them to work, as she said, ‘biff-bang’.

Nursery rhymes are traditional rhymes passed on to children by adults. The first known book of rhymes was published around 1744. Many have sought to find hidden meanings or references to political satire within the verse but most are simply nonsensical rhymes that delight and amuse small children.

There was a man of double deed
who sowed his garden full of seed.
When the seed began to grow,
`Twas like a garden full of snow;
when the snow began to fall,
like birds it was upon the wall;
and when the birds began to fly,
`Twas like a shipwreck in the sky;
and when the sky began to crack,
`Twas like a stick upon my back;
and when my back began to smart,
`Twas like a penknife in my heart;
and when my heart began to bleed,
then I was dead and dead indeed.

 

 

 

Further reading:
Paula Rego Nursery Rhymes, The South Bank Centre, London 1990
T G Rosenthal, Paula Rego The Complete Graphic Work, Thames & Hudson, London 2003
Iona and Peter Opie, The Oxford Dictionary of Nursery Rhymes, Clarendon Press, Oxford 1952