Edgar Hubert (1906 – 1985)
COMPOSITION NO. 1
Edgar Hubert (1906 – 1985)
- 71.1 X 55.9 CM
- WATERCOLOUR, GOUACHE AND CRAYON ON PAPER
- Accession number
Until his work was shown at the Fine Art Society in 2005 Edgar Hubert was all but forgotten. He was born in Billingshurst in Sussex, the son of a doctor. After studying at Reading School of Art he took up a place at the Slade in Londonwhere his contemporaries included William Coldstream, Rodrigo Moynihan and Geoffrey Tibble, who became a life long friend. Hubert’s early work was figurative, much in the Slade tradition, and was shown at the New Burlington Galleries in 1930. Hubert also exhibited occasionally with the London Group. The group gradually began to show abstract works, and the 1933 exhibition included a work by Hubert Composition (no. 210). Ill health forced him to leaveLondon in the late 1930s and move toBeaconsfield where he lived in relative seclusion with his brother and his family. William Townsend (contemporary painter and commentator) describes Hubert in 1938 as ‘still painting abstract pictures … non-geometrical abstraction in black, white and grey, cloudy groupings of vague streaks and knots of dark paint, or loose clusters of starry shapes each a few painfully calculated flicks’(1). His work was included in the ICA’s exhibition ‘Forty years of Modern Art’ shown in 1948 and in the British Council’s exhibition ‘La Jeune Peinture en Grand Bretagne’ shown in Paris and Athens.
Hubert was deeply affected by the deaths of his father and brothers and remained in the family home until the death of his mother in the 1960s. He suffered from chronic shyness and introspection and lived the life of a recluse inSeaford,Sussex. The death of his friend and neighbour, Geoffrey Tibble, caused him to lose nearly all contact with the art world. However he continued to paint almost up to his death on 25 January 1985.
(1) cited in The Euston Road School by Bruce Laughton, Scolar Press,Aldershot, 1986. p.98
To abstract means to remove, and in the art sense it means that artist has removed or withheld references to an object, landscape or figure to produce a simplified or schematic work. This method of creating art has led to many critical theories; some theorists considered this the purest form of art: art for art’s sake. Unconcerned as it is with materiality, abstraction is often considered as representing the spiritual.
Existing or coming into being at the same period; of today or of the present. The term that designates art being made today.
Work of art made with paint on a surface. Often the surface, also called a support, is a tightly stretched piece of canvas, paper or a wooden panel. Painting involves a wide range of techniques and materials, along with the artist's intellectual concerns effecting the content of a work.
- Czechoslovakia, Prague, Svaz Ceskeho Dila
- France, Marseilles, Ecole Des Beaux Arts
- France, Paris, Rene Drouin Gallery
- Italy, Rome, Studio D'arte Palma
- Greece, Athens, British Institute